If that’s true, then Sabine Devieilhe has a right to sing ’em straight. [6], In 2012, she was invited to the Aix-en-Provence Festival to portray Serpetta in La finta giardiniera. Find the perfect Sabine stock photos and editorial news pictures from Getty Images. Join Facebook to connect with Sabine Devieilhe and others you may know. French soprano Sabine Devieilhe steps into the roles of Aloysia, Constanze, and Josepha here, making clear that all three must have been among the strongest sopranos of their time. © 2000-2021 Bach Cantatas Website, Last update: Monday, April 09, 2018 09:12. She is known for her interpretation of works by Mozart, Baroque music, and 19th-century opera. She is often regarded as a successor to Natalie Dessay. She also performed in concert with Les Arts Florissants, Marc Minkowski and Les Musiciens du Louvre, Hervé Niquet and Le Concert Spirituel... I will cite a single detail: when he … Main Page He will be again at the Rossini festival in Pessaro this summer. | A [23][24], In January, 2019, Sabine Devieilhe made her Carnegie Hall debut at Weill Recital Hall, singing a program of French songs by Debussy and his circle. | Z Explanation [19], In 2014, she sang in Lakmé by Léo Delibes at the Opéra-Comique. She is known for her interpretation of works by Mozart, Baroque music, and 19th-century opera. | B | M Facebook gives people the power to share and makes the world more open and connected. The French soprano Sabine Devieilhe has joined forces with the period instrument ensemble Pygmalion and its founding conductor, ... eventually married Constanze. [15][16] [10] In 2008, she entered the Conservatoire de Paris in the singing class of Pierre Mervant. [2], Devieilhe was born in Ifs, near Caen, France, on 12 December 1985 into a non-musician family – her parents are specialized educators, although her older sister teaches singing and violin. [6], After graduating from the Lycée Malherbe,[7] Sabine Devieilhe obtained a diploma in musicology and ethnomusicology at the University of Rennes 2. | K She enjoyed further success at the Théâtre des Champs Elysées as Ismene in a new production of Mozart’s Mitridate as well as Amina in a concert performance of Bellini’s La Sonnambula . | H She has such a beautiful voice, no idea what angels sound like, but you’d hope they have a similar sound. Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet", "Castor et Pollux (1754 version) by Jean-Philippe Rameau (1683–1764)", "Mozart – The Weber Sisters | Wolfgang Amadeus Mozart par Sabine Devieilhe", Sabine Devieilhe records Lakmé (Delibes): Air des clochettes / Bell Song, https://en.wikipedia.org/w/index.php?title=Sabine_Devieilhe&oldid=996393427, Articles with short description added by PearBOT 5, Short description is different from Wikidata, Wikipedia introduction cleanup from January 2018, Articles covered by WikiProject Wikify from January 2018, All articles covered by WikiProject Wikify, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2006: 1st Prize Tremplin Jeunes Talents d'Auray, On 25 February 2013, Sabine Devieilhe was named "Révélation Artiste Lyrique" at the, On 2 February 2015, she was voted "Singer of the Year" (. Her first solo album “Rameau, le Grand Théâtre de l’Amour” with Les Ambassadeurs under Alexis Kossenko (November 2013) has been awarded Diapason d’Or, Grand Prix de l’Académie Charles Cros, Disc of the week on BBC Radio 3 (week of Jan 25) & Caecilia Prize 2013 in Belgium. Nearly two and a half centuries later, join the superb French soprano Sabine Devieilhe, Raphaël Pichon, and his orchestra Ensemble Pygmalion at Compiègne’s magnificent Théâtre Impérial for a concert inspired by that remarkable event, by Mozart, and by the composer's greatest muses. 1 Story 2 Adaptations 3 Videos 4 Trivia The Queen of the Night is first mentioned by her bird catcher Papageno, when speaking to the foreigner prince Tamino, who has heard of her as a magnificent and powerful sovereign. [17] She also interpreted Sister Constance in Christophe Honoré's staging of Poulenc's Dialogues des Carmélites at the Opéra de Lyon, Théâtre Graslin in Nantes, and Le Quai in Angers. | Y I love her 2016 Mozart album (see my initial review here, my comment on the same album winning the Gramophone award in that category, and that I named this among my top 5 classical albums of 2016).. Her singing is superb--and musical! | C Yes, I’m a fan. The fact that a third sister, Josepha, figured in Mozart's career (and that the youngest sister, Sophia, remembered Mozart from her childhood) is less commonly appreciated. She is often regarded as a successor to Natalie Dessay. But Devieilhe knows her own mind, and it is a very good one. Select from premium Sabine of the highest quality. Six solo singers – Sabine Devieilhe, Siobhan Stagg, Serena Malfi, Linard Vrielink, John Chest and Nahuel di Pierro – take on the roles of different characters in each act. When Bachtrack interviewed Sabine Devieilhe in April 2017, she was already a renowned singer in many genres but suggested that she would be approaching bel canto “prudently”. Sabine Devieilhe’s album Mozart.The Weber Sisters tells two different but closely related stories. Another debutant (long overdue), she provided all the vocal fireworks required, her top Fs in “Der Hölle Rache” detonated with crystalline precision. Devieilhe was born in Ifs, in France's Normandy region, on December 12, 1985. | Privacy Policy [9] Her voice was praised and she became a soloist. Mozart to make your heart melt, indeed. For stratospheric top notes, however, Sabine Devieilhe’s Queen of the Night was superb value. | W | F The Farench soprano, Sabine Devieilhe, studied first cello and musicology. In parallel to her studies, she joined the choir of the Opéra de Rennes [fr]. As from 2011-2012 Sabine Devieilhe's career took off at great speed: she made her first steps in the Bel Canto with Amina in La Sonnambula under Jean-Claude Malgoire who also offers her La Folie in Platee; the Aix-en-Provence Festival invited her for Serpetta in La Finta Giardiniera (staged by Vincent Boussard, July 2012); the Montpellier Opera offered her the title-part of Lakme; she was awarded Lyric Artist Discovery of the year at the 20th de la Musique in 2013; the Lyon National Opera gave her the opportunity to perform her first Queen of the Night in Die Zauberflöte and she signed an exclusivity contract with Erato/Warner Classics! | N Raphaël Pichon, conduction Erato, 2015. A collection of opera and song in French, its theme is the exotic allure of faraway – and imagined – places and people. | The Sad Corner. [9], Recognised by Jean-Claude Malgoire, Devieilhe debuted as a soloist with the Atelier Lyrique de Tourcoing in October 2011, singing Amina in Bellini's La sonnambula. American chef Christopher Franklin, was fabulous and so attentive to the singers. French soprano Sabine Devieilhe steps into the roles of Aloysia, Constanze, and Josepha here, making clear that all three must have been among the strongest sopranos of their time. Sabine Devieilhe. In concert, she performs with Les Ambassadeurs at the Pontoise Festival; Les Siècles at La Cité de la Musique in Paris; Ensemble Pygmalion at the Saint-Denis Festival ; under Esa-Pekka Salonen in a concert version of L’Enfant et les Sortilèges with the Orchestre De Paris at La Philharmonie de Paris, the Philharmonia Orchestra at the Royal Festival Hall in London or in Stockholm with the Swedish Radio Symphony Orchestra, etc. [8] She participated as a chorister in a production of The Flying Dutchman by Richard Wagner in 2002. | Acronyms | D | I | R | P CONDUCTOR Raphaël Pichon takes the Queen of the Night’s “Der Hölle Rache” at a surprisingly brisk pace on the 2015 CD Mozart and the Weber Sisters.But French soprano Sabine Devieilhe hits every note with perfect pitch, butterscotch tone and furious feeling. Soprano Sabine Devieilhe’s signature operatic role, Lakmé, forms the starting point for her enticing album Mirages. Fine singing. | L | S Soprano Sabine Devieilhe will perform a recital with pianist Mathieu Pordoy, while the panel discussion will feature Anthony Heidweiller, Mark Withers, Frédérique Tessier, Marie-Laure Stephan, and Philippe Franceschi. This was as perfect an evening of music as one could hope to hear. [33], "Portrait : Sabine Devieilhe, la nouvelle Dessay", « Sabine Devieilhe, la soprano qui rêvait d'ailleurs », "La Caennaise Sabine Devieilhe récompensée aux Victoires", "Ifs (14) : La soprano Sabine Devieilhe nominée aux Victoires de la musique classique – France 3 Basse-Normandie", "Sabine Devieilhe, l'étoile montante de l'art lyrique, en concert à La Borie", "Sabine Devieilhe, la soprano caennaise, nommée aux Victoires de la musique classique – France 3 Basse-Normandie", "La Finta Giardiniera – Festival d'Aix-en-Provence (2012)", "La finta giardinera : Magie aixoise à Luxembourg", "Die Zauberflöte – Lyon : Beaucoup d'allure, mais à toute allure", "Dialogues des Carmélites à Lyon et Nantes/Angers – Poulenc Omniprésent", "Sabine Devieilhe, nouvelle "Reine de la nuit" à l'Opéra de Paris", "LES CRIS DE PARIS – direction Geoffroy Jourdain", "Sabine Devieilhe, une Somnambule qui fait rêver", "Review: A Rising French Singer Makes a Delicately Brilliant Debut", "20e Victoires: Tézier, Angelich, Sabine Devieilhe au palmarès", "Palmarès 2015 des Victoires de la Musique Classique", "Sabine Devieilhe chante Rameau : le Grand Théâtre de l'amour, coup de cœur de la semaine pour Émilie Munera", "Dans l'air du soir : Gustave Charpentier", "GUSTAVE CHARPENTIER Musiques du Prix de Rome (Livre + 2 CDs | French). Bach to Rameau with Jean-Claude Malgoire and Alexis Kossenko and while the Orchestre National d’Ile de France (L’enfant et Les Sortilèges, conducted by David Levi) and the Orchestre de Paris gave her access to other stages. The Weber Sisters Pygmalion. On July 14, audiences will get to hear Mozart’s Requiem, with an introduction by Raphaël Pichon. [18] In December she alternated the role with Sandrine Piau in Olivier Py's production at the Théâtre des Champs-Élysées. At the piano, Mathieu Pordoy showed knowledge and ability. “I’ve got a right to sing the blues,” sang Eileen Farrell. The programme comprises songs, operatic and concert arias and orchestral numbers, and Sabine Devieilhe’s interpretations are typified by beauty of tone, a penetrating sense of drama and a scrupulous respect for the score and the text. Sabine Devieilhe (French: [sa.bin də.vjɛl];[1] born 12 December 1985) is a French operatic coloratura soprano. Gabriel Fauré, Francis Poulenc, Maurice Ravel, Claude Debussy: This page was last edited on 26 December 2020, at 09:28. Sabine Devieilhe also performed this work in concert with the Orchestre de Paris at the Philharmonie in Paris and with the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen in Stockholm. On the basis of last night’s La Fille du régiment – Devieilhe ’s first leading role at Covent Garden – I think we can safely say that the time for prudence is over. At the time of her revelation, seven years ago, she was believed to be the new star of the baroque repertoire – a breathtaking album dedicated to Rameau said that. 2013-2014: she returned to Lyon National Opera for Constance in Dialogues Des Carmelites (staged by Christophe Honoré), repeated Serpetta at the Toulon Opera and jumped in for Constance/in ialogues Des Carmelites at Paris Théâtre des Champs-Elysées (conductor Jérémie Rohrer, staged by Olivier Py). Performed without intermission, the finely-devised program kept the full house under a spell as both the soprano and her splendid pianist seemed to find the heart and soul of each work on offer. | Q In 2008 whilst studying musicology, voice and piano in Montpellier, Marianne Crebassa, then just 21, was engaged by the Opéra de Montpellier for Schumann’s Manfred conducted by Hervé Niquet. An accomplished woman in her own right, she had assisted her husband in his scientific endeavours for more than half a century. | Missing Biographies Sabine Devieilhe embodies all three in this unique concept album, recorded with her husband, conductor Raphaël Pichon, and the Pygmalion period-instrument orchestra - truly a labour of love. This was followed by the teachings of Jocelyne Chamonin, Martine Surais, Pierre Mervant, Malcolm Walker or Kenneth Weiss, Anne Le Bozec, Susan Manoff, Olivier Reboul and Elène Golgevit. Sabine Devieilhe is a French operatic coloratura soprano. But her high range is amazing; she even does that wicked concert aria about the people of Thessaly that goes up to a G above High C---twice! [3], She began her musical apprenticeship at the Ifs school of music before entering the Caen Conservatory [fr] at the age of twelve in order to study the cello. All albums by Sabine Devieilhe available to download and stream in high quality. Sabine Devieilhe (Soprano) Born: France The Farench soprano, Sabine Devieilhe, studied first cello and musicology. She collaborated with such soloists as Martin Grubinger, Peter Jablonski, Andreas Staier, Ewa Kupiec, cellists Truls Mørk and Daniel Müller-Schott, singers Camilla Nylund, Klaus Florian Vogt, Catherine Wyn-Rogers, Nathalie Stutzmann, Sabine Devieilhe, Jean-François Lapointe, violinists Linus Roth, Michael Guttman, and Alena Baeva. | J Sabine Devielhe. She doesn't really try to differentiate among the voices of the three (which are at any rate unknowable), but all of them got powerhouse arias. Source: Sabine Devieilhe Website The Queen of the Nightis the main villain of the Austrian operaThe Magic Fluteby Mozart as well as of its adaptations. [26][27][28], In 2013, she signed an exclusive contract with the music label Erato and released her first recital album devoted to Jean-Philippe Rameau with Alexis Kossenko and his ensemble Les Ambassadeurs. This week’s recommended recording – Mozart and The Weber Sisters, featuring French soprano Sabine Devieilhe, supported by conductor Raphaël Pichon’s the Pygmalion Ensemble – gathers all the music that Mozart wrote for the Weber sisters in one collection, providing a portrait of the artist at his most personal. As from 2014-2015, she returns to Toulon for Lakme, to Paris Opera Comique for Adèle in Die Fledermaus, she makes her debut as Mélisande in Pelleas et Melisande with Jean-Claude Malgoire and as Nanetta/Falstaff at Marseille Opera and repeats Fire, Princess and Nightingale / L’enfant et les Sortileges at the Glyndebourne Opera Festival, etc. [21], On 11 April 2016, together with the Orchestre de chambre de Paris conducted by Christopher Franklin and the choir Les Cris de Paris,[22] she performed in concert version of La sonnambula at the Théâtre des Champs-Élysées. She received the First Price unanimously with the congratulations of the jury of the Paris Conservatoire National Supérieur de Musique et de Danse in 2011. In June–July, she debuted in the role of the Queen of the Night in Mozart's The Magic Flute at the Opéra National de Lyon. Her range of roles has stretched from the Baroque to contemporary works. [20] She made her debut with the Paris Opera portraying the Queen of the Night at the Opéra Bastille in performances in March. She doesn't really try to differentiate among the voices of the three (which are at any rate unknowable), but all of them got powerhouse arias. As a fervent defendant of the Lied and the mélodie, she performs in recital with Anne Le Bozec at the Glasgow Conservatory, the Lyon National Opera and at the Auvers Sur Oise Festival, among others. Biographies of Performers: Purchase on Amazon “La folle giornata” or ‘The crazy day’ is the first act, set in a count’s castle, and is a pastiche of the “Marriage of Figaro”. | Copyright Policy Parallel to her studies Sabine Devieilhe began a close collaboration with ensembles like Ensemble Pygmalion (Director: Raphaël Pichon) and Les Cris De Paris (Director: Geoffroy Jourdain) and performs a large repertoire from ancient music to contemporary music, while she approachs the Baroque repertoire from J.S. 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