I love her 2016 Mozart album (see my initial review here, my comment on the same album winning the Gramophone award in that category, and that I named this among my top 5 classical albums of 2016).. Sabine Devieilhe, still in her twenties, has been described as a singer "whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking". [10] In 2008, she entered the Conservatoire de Paris in the singing class of Pierre Mervant. At the time of her revelation, seven years ago, she was believed to be the new star of the baroque repertoire – a breathtaking album dedicated to Rameau said that. | J
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She is known for her interpretation of works by Mozart, Baroque music, and 19th-century opera. Sabine Devieilhe embodies all three in this unique concept album, recorded with her husband, conductor Raphaël Pichon, and the Pygmalion period-instrument orchestra - truly a labour of love. Parallel to her studies Sabine Devieilhe began a close collaboration with ensembles like Ensemble Pygmalion (Director: Raphaël Pichon) and Les Cris De Paris (Director: Geoffroy Jourdain) and performs a large repertoire from ancient music to contemporary music, while she approachs the Baroque repertoire from J.S. Flemish Radio Choir, Brussels Philharmonic, Hervé Niquet", "Castor et Pollux (1754 version) by Jean-Philippe Rameau (1683–1764)", "Mozart – The Weber Sisters | Wolfgang Amadeus Mozart par Sabine Devieilhe", Sabine Devieilhe records Lakmé (Delibes): Air des clochettes / Bell Song, https://en.wikipedia.org/w/index.php?title=Sabine_Devieilhe&oldid=996393427, Articles with short description added by PearBOT 5, Short description is different from Wikidata, Wikipedia introduction cleanup from January 2018, Articles covered by WikiProject Wikify from January 2018, All articles covered by WikiProject Wikify, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2006: 1st Prize Tremplin Jeunes Talents d'Auray, On 25 February 2013, Sabine Devieilhe was named "Révélation Artiste Lyrique" at the, On 2 February 2015, she was voted "Singer of the Year" (. | Q
French soprano Sabine Devieilhe steps into the roles of Aloysia, Constanze, and Josepha here, making clear that all three must have been among the strongest sopranos of their time. Source: Sabine Devieilhe Website
[25], She is often praised by critics. She also performed in concert with Les Arts Florissants, Marc Minkowski and Les Musiciens du Louvre, Hervé Niquet and Le Concert Spirituel...
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In parallel to her studies, she joined the choir of the Opéra de Rennes [fr]. | C
The story of how Mozart fell in love with the young singer Aloysia Weber, was dumped, and then married her younger sister Constanze is well known. As from 2014-2015, she returns to Toulon for Lakme, to Paris Opera Comique for Adèle in Die Fledermaus, she makes her debut as Mélisande in Pelleas et Melisande with Jean-Claude Malgoire and as Nanetta/Falstaff at Marseille Opera and repeats Fire, Princess and Nightingale / Lenfant et les Sortileges at the Glyndebourne Opera Festival, etc. She has such a beautiful voice, no idea what angels sound like, but you’d hope they have a similar sound. | A
Performed without intermission, the finely-devised program kept the full house under a spell as both the soprano and her splendid pianist seemed to find the heart and soul of each work on offer. At the piano, Mathieu Pordoy showed knowledge and ability. | H
On the basis of last night’s La Fille du régiment – Devieilhe ’s first leading role at Covent Garden – I think we can safely say that the time for prudence is over. I will cite a single detail: when he … As a fervent defendant of the Lied and the mélodie, she performs in recital with Anne Le Bozec at the Glasgow Conservatory, the Lyon National Opera and at the Auvers Sur Oise Festival, among others. Nearly two and a half centuries later, join the superb French soprano Sabine Devieilhe, Raphaël Pichon, and his orchestra Ensemble Pygmalion at Compiègne’s magnificent Théâtre Impérial for a concert inspired by that remarkable event, by Mozart, and by the composer's greatest muses. [4] Influenced successively by conductor Valérie Fayet, and singing teachers Jocelyne Chamonin (Caen Conservatory), Martine Surais (Rennes Conservatory [fr]), Pierre Mervant, Malcolm Walker and Elène Golgevit[5] (Conservatoire de Paris), she became a lyrical singer. Soprano Sabine Devieilhe will perform a recital with pianist Mathieu Pordoy, while the panel discussion will feature Anthony Heidweiller, Mark Withers, Frédérique Tessier, Marie-Laure Stephan, and Philippe Franceschi. Sabine Devieilhe also performed this work in concert with the Orchestre de Paris at the Philharmonie in Paris and with the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen in Stockholm. Contributed by, Recordings of Bach Cantatas & Other Vocal Works, Sabine Devieilhe (Official Website) [mostly French], Terms of Use Bach to Rameau with Jean-Claude Malgoire and Alexis Kossenko and while the Orchestre National dIle de France (Lenfant et Les Sortilèges, conducted by David Levi) and the Orchestre de Paris gave her access to other stages. She enjoyed further success at the Théâtre des Champs Elysées as Ismene in a new production of Mozart’s Mitridate as well as Amina in a concert performance of Bellini’s La Sonnambula . She nails it both times. Six solo singers – Sabine Devieilhe, Siobhan Stagg, Serena Malfi, Linard Vrielink, John Chest and Nahuel di Pierro – take on the roles of different characters in each act. She collaborated with such soloists as Martin Grubinger, Peter Jablonski, Andreas Staier, Ewa Kupiec, cellists Truls Mørk and Daniel Müller-Schott, singers Camilla Nylund, Klaus Florian Vogt, Catherine Wyn-Rogers, Nathalie Stutzmann, Sabine Devieilhe, Jean-François Lapointe, violinists Linus Roth, Michael Guttman, and Alena Baeva. | S
[6], After graduating from the Lycée Malherbe,[7] Sabine Devieilhe obtained a diploma in musicology and ethnomusicology at the University of Rennes 2. The French soprano Sabine Devieilhe (de-vi-EL-a approximates it) became a fast-rising start in the 2010s, with charisma and a versatile voice that drew comparisons to vocal superstar Natalie Dessay. [13][14] In 2013 she reprised the role of Serpetta in performances at the Grand Théâtre de Luxembourg and the Toulon Opera. For stratospheric top notes, however, Sabine Devieilhe’s Queen of the Night was superb value. | P
On July 14, audiences will get to hear Mozart’s Requiem, with an introduction by Raphaël Pichon. [21], On 11 April 2016, together with the Orchestre de chambre de Paris conducted by Christopher Franklin and the choir Les Cris de Paris,[22] she performed in concert version of La sonnambula at the Théâtre des Champs-Élysées. She doesn't really try to differentiate among the voices of the three (which are at any rate unknowable), but all of them got powerhouse arias. | Y
The programme comprises songs, operatic and concert arias and orchestral numbers, and Sabine Devieilhe’s interpretations are typified by beauty of tone, a penetrating sense of drama and a scrupulous respect for the score and the text. | Acronyms
He will be again at the Rossini festival in Pessaro this summer. 1 Story 2 Adaptations 3 Videos 4 Trivia The Queen of the Night is first mentioned by her bird catcher Papageno, when speaking to the foreigner prince Tamino, who has heard of her as a magnificent and powerful sovereign. She is often regarded as a successor to Natalie Dessay. Her range of roles has stretched from the Baroque to contemporary works. | I
Fine singing. Sabine Devieilhe is on Facebook. Gabriel Fauré, Francis Poulenc, Maurice Ravel, Claude Debussy: This page was last edited on 26 December 2020, at 09:28. Sabine Devieilhe, still in her twenties, has been described as a singer “whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking”. | M
Thursday January 17th, 2019 - Sabine Devieilhe, soprano, with pianist Mathieu Pordoy in a program of French songs at Weill Hall. | L
Biographies of Performers:
This was followed by the teachings of Jocelyne Chamonin, Martine Surais, Pierre Mervant, Malcolm Walker or Kenneth Weiss, Anne Le Bozec, Susan Manoff, Olivier Reboul and Elène Golgevit. Sabine Devieilhe (French: [sa.bin də.vjɛl];[1] born 12 December 1985) is a French operatic coloratura soprano. | Privacy Policy Sabine Devieilhe’s partners, John Osborn and Nicola Ulivieri and her rival (in the story) Jennifer Michel, were pleased and stunned by the frantic reception. In concert, she performs with Les Ambassadeurs at the Pontoise Festival; Les Siècles at La Cité de la Musique in Paris; Ensemble Pygmalion at the Saint-Denis Festival ; under Esa-Pekka Salonen in a concert version of LEnfant et les Sortilèges with the Orchestre De Paris at La Philharmonie de Paris, the Philharmonia Orchestra at the Royal Festival Hall in London or in Stockholm with the Swedish Radio Symphony Orchestra, etc. Yes, I’m a fan. | X
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[12] In October, she made her role debut as the title role in Lakmé at the Opéra national de Montpellier to critical success. | V
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In June–July, she debuted in the role of the Queen of the Night in Mozart's The Magic Flute at the Opéra National de Lyon. | F
[8] She participated as a chorister in a production of The Flying Dutchman by Richard Wagner in 2002. | O
But her high range is amazing; she even does that wicked concert aria about the people of Thessaly that goes up to a G above High C---twice! Sabine Devieilhe. As from 2011-2012 Sabine Devieilhe's career took off at great speed: she made her first steps in the Bel Canto with Amina in La Sonnambula under Jean-Claude Malgoire who also offers her La Folie in Platee; the Aix-en-Provence Festival invited her for Serpetta in La Finta Giardiniera (staged by Vincent Boussard, July 2012); the Montpellier Opera offered her the title-part of Lakme; she was awarded Lyric Artist Discovery of the year at the 20th de la Musique in 2013; the Lyon National Opera gave her the opportunity to perform her first Queen of the Night in Die Zauberflöte and she signed an exclusivity contract with Erato/Warner Classics! [19], In 2014, she sang in Lakmé by Léo Delibes at the Opéra-Comique. [9] Her voice was praised and she became a soloist. She doesn't really try to differentiate among the voices of the three (which are at any rate unknowable), but all of them got powerhouse arias. “I’ve got a right to sing the blues,” sang Eileen Farrell. [26][27][28], In 2013, she signed an exclusive contract with the music label Erato and released her first recital album devoted to Jean-Philippe Rameau with Alexis Kossenko and his ensemble Les Ambassadeurs. Another debutant (long overdue), she provided all the vocal fireworks required, her top Fs in “Der Hölle Rache” detonated with crystalline precision. [17] She also interpreted Sister Constance in Christophe Honoré's staging of Poulenc's Dialogues des Carmélites at the Opéra de Lyon, Théâtre Graslin in Nantes, and Le Quai in Angers. This week’s recommended recording – Mozart and The Weber Sisters, featuring French soprano Sabine Devieilhe, supported by conductor Raphaël Pichon’s the Pygmalion Ensemble – gathers all the music that Mozart wrote for the Weber sisters in one collection, providing a portrait of the artist at his most personal. Sabine Devieilhe is a French operatic coloratura soprano. Facebook gives people the power to share and makes the world more open and connected. She received the First Price unanimously with the congratulations of the jury of the Paris Conservatoire National Supérieur de Musique et de Danse in 2011. [23][24], In January, 2019, Sabine Devieilhe made her Carnegie Hall debut at Weill Recital Hall, singing a program of French songs by Debussy and his circle. Sabine Devieilhe (Soprano) Born: France The Farench soprano, Sabine Devieilhe, studied first cello and musicology. Soprano Sabine Devieilhe’s signature operatic role, Lakmé, forms the starting point for her enticing album Mirages. French soprano Sabine Devieilhe steps into the roles of Aloysia, Constanze, and Josepha here, making clear that all three must have been among the strongest sopranos of their time. The programme comprises songs, operatic and concert arias and orchestral numbers, and Sabine Devieilhe’s interpretations are typified by beauty of tone, a penetrating sense of drama and a scrupulous respect for the score and the text. | The Sad Corner. This was as perfect an evening of music as one could hope to hear. | Copyright Policy Purchase on Amazon “La folle giornata” or ‘The crazy day’ is the first act, set in a count’s castle, and is a pastiche of the “Marriage of Figaro”. [6], In 2012, she was invited to the Aix-en-Provence Festival to portray Serpetta in La finta giardiniera. [3], She began her musical apprenticeship at the Ifs school of music before entering the Caen Conservatory [fr] at the age of twelve in order to study the cello. Sabine Devieilhe, still in her twenties, has been described as a singer “whose upper register, like her virtuosity, appears limitless, while her verbal sense and dramatic engagement are breathtaking”. [9], Recognised by Jean-Claude Malgoire, Devieilhe debuted as a soloist with the Atelier Lyrique de Tourcoing in October 2011, singing Amina in Bellini's La sonnambula. American chef Christopher Franklin, was fabulous and so attentive to the singers. [33], "Portrait : Sabine Devieilhe, la nouvelle Dessay", « Sabine Devieilhe, la soprano qui rêvait d'ailleurs », "La Caennaise Sabine Devieilhe récompensée aux Victoires", "Ifs (14) : La soprano Sabine Devieilhe nominée aux Victoires de la musique classique – France 3 Basse-Normandie", "Sabine Devieilhe, l'étoile montante de l'art lyrique, en concert à La Borie", "Sabine Devieilhe, la soprano caennaise, nommée aux Victoires de la musique classique – France 3 Basse-Normandie", "La Finta Giardiniera – Festival d'Aix-en-Provence (2012)", "La finta giardinera : Magie aixoise à Luxembourg", "Die Zauberflöte – Lyon : Beaucoup d'allure, mais à toute allure", "Dialogues des Carmélites à Lyon et Nantes/Angers – Poulenc Omniprésent", "Sabine Devieilhe, nouvelle "Reine de la nuit" à l'Opéra de Paris", "LES CRIS DE PARIS – direction Geoffroy Jourdain", "Sabine Devieilhe, une Somnambule qui fait rêver", "Review: A Rising French Singer Makes a Delicately Brilliant Debut", "20e Victoires: Tézier, Angelich, Sabine Devieilhe au palmarès", "Palmarès 2015 des Victoires de la Musique Classique", "Sabine Devieilhe chante Rameau : le Grand Théâtre de l'amour, coup de cœur de la semaine pour Émilie Munera", "Dans l'air du soir : Gustave Charpentier", "GUSTAVE CHARPENTIER Musiques du Prix de Rome (Livre + 2 CDs | French). [2], Devieilhe was born in Ifs, near Caen, France, on 12 December 1985 into a non-musician family – her parents are specialized educators, although her older sister teaches singing and violin. 2013-2014: she returned to Lyon National Opera for Constance in Dialogues Des Carmelites (staged by Christophe Honoré), repeated Serpetta at the Toulon Opera and jumped in for Constance/in ialogues Des Carmelites at Paris Théâtre des Champs-Elysées (conductor Jérémie Rohrer, staged by Olivier Py). | E
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[18] In December she alternated the role with Sandrine Piau in Olivier Py's production at the Théâtre des Champs-Élysées. Devieilhe was born in Ifs, in France's Normandy region, on December 12, 1985. Raphaël Pichon, conduction Erato, 2015. Her first solo album Rameau, le Grand Théâtre de lAmour with Les Ambassadeurs under Alexis Kossenko (November 2013) has been awarded Diapason dOr, Grand Prix de lAcadémie Charles Cros, Disc of the week on BBC Radio 3 (week of Jan 25) & Caecilia Prize 2013 in Belgium. © 2000-2021 Bach Cantatas Website, Last update: Monday, April 09, 2018 09:12. | Missing Biographies
Mozart to make your heart melt, indeed. Sabine Devielhe. She is often regarded as a successor to Natalie Dessay. She is known for her interpretation of works by Mozart, Baroque music, and 19th-century opera. Her singing is superb--and musical! | G
The fact that a third sister, Josepha, figured in Mozart's career (and that the youngest sister, Sophia, remembered Mozart from her childhood) is less commonly appreciated. Mozart. [15][16] | D
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Join Facebook to connect with Sabine Devieilhe and others you may know. The Farench soprano, Sabine Devieilhe, studied first cello and musicology. When Bachtrack interviewed Sabine Devieilhe in April 2017, she was already a renowned singer in many genres but suggested that she would be approaching bel canto “prudently”. Sabine Devieilhe’s album Mozart.The Weber Sisters tells two different but closely related stories.
In 1879, Sabine's wife, Elizabeth Juliana Leeves Sabine whom he married in 1826,[3] died. The French soprano Sabine Devieilhe has joined forces with the period instrument ensemble Pygmalion and its founding conductor, ... eventually married Constanze. [11] In 2011 she was unanimously awarded first prize, with the jury's congratulations. All albums by Sabine Devieilhe available to download and stream in high quality. Explanation
In 2008 whilst studying musicology, voice and piano in Montpellier, Marianne Crebassa, then just 21, was engaged by the Opéra de Montpellier for Schumann’s Manfred conducted by Hervé Niquet. Find the perfect Sabine stock photos and editorial news pictures from Getty Images. A collection of opera and song in French, its theme is the exotic allure of faraway – and imagined – places and people. CONDUCTOR Raphaël Pichon takes the Queen of the Night’s “Der Hölle Rache” at a surprisingly brisk pace on the 2015 CD Mozart and the Weber Sisters.But French soprano Sabine Devieilhe hits every note with perfect pitch, butterscotch tone and furious feeling. Main Page
Sabine Devieilhe is one of those high, high coloraturas, like Aloysia Weber. If that’s true, then Sabine Devieilhe has a right to sing ’em straight. Select from premium Sabine of the highest quality. The Queen of the Nightis the main villain of the Austrian operaThe Magic Fluteby Mozart as well as of its adaptations. The Weber Sisters Pygmalion. But Devieilhe knows her own mind, and it is a very good one. An accomplished woman in her own right, she had assisted her husband in his scientific endeavours for more than half a century. Sabine Devieilhe first of all confirms the extent of her musical territory, the ease with which she conquers new portions of the repertoire. [20] She made her debut with the Paris Opera portraying the Queen of the Night at the Opéra Bastille in performances in March. | K
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